Tuesday 23 November 2010

Evaluations

The first show we created was Subcity, this was aimed towards the target audience of 15 to 25 years old. Our show target audience is similar to radio 1xtra. Knowing this Charlie and i did a lot of primary and secondary research based on this station. Charlie and me went to the bullring; we chose this location because we knew our audience was more likely based in this area. We asked 100 people to fill out questionnaires for our primary research. I then did the secondary research where I looked at Rajar figures for 1xtra and radio 1, along with looking at viral youtube site like UKFdubstep. This site has an enormous fan base; which gave us more incentive to create the show. Then James did the focus group. 
The research we did was invaluable when it came to looking at techniques radio 1xtra uses for play list selection, mode of address and content. When listening back to the show, I felt that we captured the essence of radio 1xtra, however putting our own twist on it.  Charlie, Adam and myself, regularly discussed on Skype what should be the next step for subcity. Planning our marketing strategy to create a bigger audience.

When looking back at our research and it was obvious that creating a cross media radio station was the right step to take. We created a youtube page, facebook page and email accounts for our audience to have interact with us. The youtube page stood out for me the most on this assignment because of its rapid success in a short space of time. Charlie, Adam and me managed the youtube page, which we took very seriously and professionally. I feel we created a light hearted atmosphere on the site with wacky viral video, which we knew would appeal to our target audience such as, dubstep bogey, Craig dancing to dubstep and subcity behind the scenes.
The video content that uploaded is really where subcity gained most of the audience views and feedback. We currently have 121 subscribers and 22,000 + upload views. I created the background layout, business cards, pictures and the logos as part of the marketing design for the page; which Adam and Charlie finalized the decision to use. Adam did a fantastic job of securing the HMV sponsorship by going down on numerous occasions to collect DVD's and money, which will then be donated to charity. By having the backing of HMV and CIN was excellent because it meant that people took us seriously and didn't just assume we were going to do a small student radio show, but something professional. 

Talking about how the show went, I believe that my role was fulfilled as sound manager of Subcity to a high level of quality and professionalism. Adam and I me listened to all the playlist back, writing down the levels for tracks, idents and beds beforehand for the show. Charlie enforced lots of practical runs, which was good for me to learn microphone placements for the different presenters.
Listening back to the show there wasn't a lot of popping or distortion, however it did peak at times, but we had a compressor which a eliminated this sounds. It really showed how smoothly everything ran on the day because of the amount of practice we had and how Charlie ensured that everyone knew what they were doing.  Adam, Charlie and I finalised the playlist, I made the beds and created the original idents, however were later changed by Adam, due to unforeseeable changes. I was unsure about the feature for subcity, which was an interview with Aaron Snipe a local DJ. I was optimistic of having this as a feature, however it turned out to be real success with Aaron proving to be a great guest.

The other show we created was the Mojo show, which I produced. This show was based on the same target audience age of 15 - 25, however aimed at different specific genre of music, being acoustic and live performance. I told everyone to do the same research they did for Subcity, but this time for the Mojo show this time.
One of the biggest weaknesses with the show was that we left its creations 2 weeks late, which automatically put the Mojo show on the back foot.  I feel because of this I didn't get the support and input from some member of the group as I have of liked.
I was hoping that everyone would get involved, because we had a group meeting on what style of station we wanted and everyone agreed; I assumed people would be more enthusiastic about creating this show.
Charlie went out asking 50 people to fill out questionnaires again and the feedback was extremely positive. I feel the primary of secondary research was successful implemented to the final content of the show by script, content and presenter style. When writing the script I found out that the audience was very educated in their knowledge of music. Because of this I made sure there was a lot of in depth debates that the presenter would follow the style of radio 1 presenter and mode of address, which was set as informal and light heart. The presenters voice would have lots of bass and EQ as typically seen on a big radio station to make the presenters voice sound more dynamic. Their tone would be calm and relaxed as this was more fitting for a lunchtime show at 12 - 1 pm. When writing the script I put lots of improvised debates of 30 sec too 2 mins in duration, making the presenter speak more relaxed, fluently and giving them the chance to use banter. The topic I choose for the presenter to use were things like Ucas, money, nightlife and events, which were topic that our target audience could relate too and interact with. 

The greatest achievement in this assignment, was when I organised a live band to come in and perform.  I also got students from college to perform a live acoustic set which I then record to in order to playout as feature. I also use this content as part of the show cross media platforms on the Youtube and Facebook, to create attention. Adam and me spent three days organising the whole thing making sure the equipment and studio was booked out, baring in mind this was the first time we had ever recorded music, I think it went fantastic and came out with great high quality content. 


There weren't many radio station specialising in the same style as us, most of them were based on the internet which is good because our show is being streamed on the ustream. The convention of the station i looked the most was radio 1 and the live lounge feature, looking heavily at the presenter style, formate and content. My finding show that the playlist selection is vital as the audience is very musically intellectual. 

When listening to the final show it sounded okay, however in the radio studio there was an extreme break down in communication, no body was listen to the producer. I felt the script was easy to understand and follow. I told the presenters two days in advance to read the final script and if they had any issue with the script to talk to me. However this issues weren't raised until during the show, which was extremely frustrating and unprofessional. I think that I did well to time the script as we finished on the hour exactly, ignoring the song we had to play for ustream. By using the conversation and back up songs that I could take out of the script at any point, gave me the perfect flexibility to ensure the show would end excalty on the hour.  I had a stopwatch during the show to calculate how long we had left in the final show. I forced to take out one of the song, as we were over running by five mins. 

I was happy with my involvement in both shows. Personally I found myself drawn more toward the subcity show, that’s where most of the group main focus and interests, lied.  I did realise the responsibility of making the other show and tried to do my best to get it to as a high standard of subcity, but found it was hard to get people involved and found myself doing a large portion of the work. I think that both products were amazing and the audience figures were fantastic for subcity, which were a credit to the team and Charlie the producer. I feel we hit the nail on the head with the two very diverse radio show creating the appropriate tone and content selection for both. 

Tuesday 9 November 2010

Radio Analysis

Radio 1xtra

Whilst listening to radio 1xtra you immediately hear the distinct difference from any other radio station in the mainstream, this is because the show is aimed at different target and demographic audience.

The BBC state that -  “1xtra Plays the best in contemporary black music, with a strong emphasis on live music and supporting new UK artists. The schedule also offers a bespoke news service, regular discussion programmes and specially commissioned documentaries relevant to the young target audience (15-24 year olds). “


It is clear to see that radio 1xtra, has its own distict sound and presenter style. The mode of address towards the audience is dramaticly more enthusiastic with Westwood uses of projection in his voice creating an intense party like atmosphere. No other station keeps this level of intense presenter style throughout the hole of the show.
Westwood is constantly plays in explosion sound effects after his stop talking or even in-between sentences, this ironic because he sometime shouts into the microphone like his drunk, using teenage slang words. This dose work for the show as stands out to younger audience which they can relate to. The playlist is aimed at a quite niche demographic, playing tracks from America and England. Aim the musing towards a black ethnic minority as most people stereotype the station as. The Idents and soundbeds link to what the station is aimed at, if you were a 40 year old listening to just the idents, i'm pretty sure you would turn off the radio. The ident  define what the stations is about. Westwood always has a soundbed throughout the show making sure there is never any dead sound, this is too keep the engery in show constant and most teenage are constantly doing something and don't like waiting around.


Heart Fm

Heart Fm is a national radio station, however it is divide into smaller regional station. These regional stations have their own different presenter and content, but they follow same format and demographic. In this analysis, In this analysis i'm specifically looking at west midlands region. Straight away when listening to the station you notice, their topics of conversation relate to there target audience of 30 – 50 years of age. Topics like xfactor, children, housework and shopping round. The playlist is varied playing tracks from most era’s and playing recent music to,  however id class all the tracks played as pop music and would more than like be in the top 20 charts at some point, generally safe music nothing to rock the boat. From listening to this station for about an hour now I get the feeling that this station is more aim towards a female demographic, I get this impression because of the script and playlist selection. As a younger adult I’m 17 years old, I do recognise the tracks, however none of them really appeal to me at all.  The station title also indicated it might be female focused ‘Heart Fm’ although doses lead me to think of relaxed, chilled show playing soulful music. As this is breakfast show they give loads of information regarding travel, keeping listening information, this make sense as most of them will be driving like moms going on school run. Another point to make is, the shows mode of address changes dramatically throughout the morning show. At 6 o’clock they will play downbeat, slow passed and feel good music, nothing with a serious beat. As people are waking up, the presenter done is much more relaxed and formal. However at 8 o’clock it the presenter tone changes to informal conversation and more enthusiastic as they promoting feature and competition getting their audience to interacted with the show. Then at 9 they play music more in tune with a younger demographic, as mother will have their son or daughter in the car taking them to school.


Asda Fm

Asda Fm is by far the most unique station that i've analysed mainly because its an in-store radio station, which is played whilst customer are shopping in Asda. This is unusual step for Asda to take as most stores would just play a CD instead. One of this reason Adsa have created the in store station is because they have the ability to advertise for free. This form of advertising uses the hypodermic needle audience  theory and product placement, its subliminal give information to their customer, about promotion and offer. Its not contentious and the voice over uses an formal tone towards the customer about products in store about latest offer and general information to do with asda. This station has a massive target audience to cater for, (20-60 years of age.) It’s basically everyone that shops in Asda, however more commonly and stereotypical you would imagine parents mainly wife's shopping for their families.

The voice over on the station said “stock up on school wear for the kids, whilst you at, there’s 2 for 1 on the wine and beer instore today.”  - I would say this is predominately targeting towards a female of a family.

They don’t uses presenter for the broadcast as this would be a waste of money, but a pre-recorded voice over. The voice is recorded with a very formal tone which is good tone delivering information, however the presenter get their audience attention by raising their tone and being more cheerful and enthusiastic. When the voice over talk about products in store, offer or promotions they will give this information very subtly. Other key feature this station doesn't use are soundbeds as this would be very irritating as a listener. Also excited idents with lots of sound however and more calmer relaxed idents instead. 

Friday 5 November 2010

SUB CITY AUDIENCE FEEDBACK

SUB CITY AUDIENCE FEEDBACK

First Broadcast 05/10/10
Time – 11:32am-12:32pm
Audience Figures during first broadcast
Numbers based on the u-stream login service (the amount of people logged on and viewing show
Pilot
Listeners – Viewing figures obtained via u-stream during broadcast





 As this was the pilot of the radio, no substantial or initial advertising of the show had been implemented because of this listeners had not yet heard of the radio show. But the graph does display listener numbers increase during the peak lunch break hours. Where people will be positioned to access the online radio broadcast service.

Second radio broadcast  
Time- 2:30-3:30
Practice show (new idents and news feature)
Audience base has grown due to the creation of sub city YouTube channel, the YouTube channel crate a audience base for our show as the style and featured music featured in the show will be available to listen to through the YouTube service.
Suitable advertisements have been implemented into our YouTube and face book pages with dates and features.
YouTube channel
Subscribers – 50
Listeners


Approval ratings for our show
We asked 20 people whole had listened to the channel
Age range – 17 to 20 (media students) - people whom have access and knowledge of the broadcast at the time

Questions
Answer (yes or no)
Please circle
Male/female
Age-
Do you like the music tracks featured on the show?
Do you think the feature content suitable for the style of the show?
Did you listen to the whole hour of the show?
Do you approve of the informal style of language featured in the show?
Is the content of the news feature relevant to you?
Answers

Do you like the music tracks featured on the show?



Do you think the feature content suitable for the style of the show?



Did you listen to the whole hour of the show?


Do you approve of the informal style of language featured in the show?



Is the content of the news feature relevant to you?
As these results were collected during the pilots and test runs the information collected maybe inadequate, as the results were all collected from media students.
SUB CITY AUDIENCE FEEDBACK

Primary Research (The Mojo Show)

Primary Research for The Mojo Show.
The following questions were asked to fifty people who we believed were between the ages of 15 and 25, which was the target audience for the mojo show.
1: Would you be interested in listening to a band or artist cover an acoustic version of current and recent chart tracks?
2: How old are you?
3: Do you listen to the radio?
4: What station do you listen to?
5: Would you prefer to hear a large variety of acoustic coverings, or mostly covers of chart music?
6: If this acoustic show had only a one hour slot, what time do you feel would be most suitable?
7: Would you find it appealing to hear a ten minute feature on a band, which will also be performing live on air?
8: If a radio station was created that solely played acoustic covers, would you listen to it?

Analysis of questions:
Question 1 proved to be very positive towards the creation of the acoustic show, with 37 of the 50 agreeing that they would be interested. This is great because it is a clear majority of the people we asked agreeing with the idea for our show design.
Question 2 was the general age question. We asked this second because it was more important that people were interested in acoustic music before hearing their age. The highest collected number was 16 people being the age of 19. Followed by 12 people who said they were 16 years old. Then in third place were 17 year olds with 10 people saying they were that age. From the people asked I still feel that the target should remain between 15 and 25 year olds as these were still the people that answered the questions, and follow the same demographic.


In question 3 we asked the 50 people if they listened to the radio. Positively 43 of the people said that they did listen to the radio, leaving only a very small 7 who said they did not. This of course is a good sign for us as it indicates that those who may be interested in the show already listen to the radio; and therefore do not need encouragement to tune in without wanting to.
Question 4 was a follow on from question 3, in which we asked the 50 people what stations they chose to listen to. From the 43 who said they listened to the radio, 41 said that they listened to radio 1, leaving the other 2 saying that they listened to BRMB. This works in our favour as our target audience is the same as radio 1’s, and similar to acoustic music, radio 1 has the live lounge which plays acoustic covers. This then indicates further that the mojo show can be successfully received from our target audience.


The purpose of question 5 was to see if people wanted to hear only acoustic covers of chart music, or a whole variety of acoustic covers. The results of this were that 30 said that they would want to hear a variety of covers, 15 said that they would only want to hear chart covers; and 5 said that they would be happy to hear both. This also is fine for us, because we can take the 30 as definite positives for our show, but can also choose to accept the further 5 as agreeing with varieties of music, helping create a better range in our show.
In question 6 we wanted to see what the public thought would be the ideal time to air the hour long show. 24 of the 50 said that the best time would be between 4 and 5 p.m. 20 people felt that a 7 p.m. to 8 p.m. time slot would be best, followed by 5 who thought that 1 to 2 p.m. would be best, and 1 person who wanted it to be from 9 until 10 p.m. We would choose to accept the highest majority of the public, which was 4 until 5 p.m. this would be the most suitable time for us to air the show, and would be the most likely time to attract the most optimal viewers.
Question 7 was intended to find out if people were interested in hearing a ten minute feature of a live band. Perfectly for us, all 50 of the people asked agreed with this feature. This obviously means that if we were to make the show then it would go ahead with the feature of the band.
Finally we used question 8 to see if people would listen to a radio station that was created, playing specifically acoustic covers and nothing else. 44 of the people asked said that they would, 3 people said that they would give it a try and 3 people said that they would not. We were very happy with this result as the very minute 3 people who said they would not listen, were heavily outweighed by both those who said they would listen; and also those who said they would try it out.

Thursday 4 November 2010

Primary Research (SubCity)


Primary Research: Questionnaire

1. Do you listen to Dubstep, Drum and bass, Hip Hop or Grime, or maybe all of them?

2. If not then what don’t you like about these types of music?

3. How old are you?

4. Do you listen to the radio, if so then what station/stations?

5. What time of the day would you likely listen to it the most, and where would you be?

6. If a radio station was created that played more non mainstream music such as drum and bass and dubstep, would you listen, and if not why?

7. Other than the music being played, what other things should be added e.g. news, a game or quiz?

8. Why would you add this and not others?

9. In a one hour radio slot, would you use 25 minutes of music, 35, 40, or 45?

10. Finally if all the above questions helped create a radio station with the genre of music being the above, do you feel that Sub City FM would be a suitable name, and if not why?
These questions were asked to 100 people who seemed to look/be between the ages of 15 to 25 at the Bull Ring in Birmingham.

Primary research analysis

Charlie and Dan went to the Bullring to ask these questions to members of the public they felt looked between the ages of 15 and 25. They chose the Bullring specifically because they knew that it was a central hub where lots of people with very different opinions, styles and interests would be. They chose these questions as they felt they were suitable for the show we wished to create. They purposely chose the first question to be about their music interests, rather than their age as if they did not like the types of music then we needed to know at the start, rather than a few questions in. Other important questions asked were what features they would like to hear as well on the show, other than just music? This was important as it gave us the chance to see what our hopeful target audiences would want to listen to that would be relevant to them. Another very important question was how much music should be played in the show: 35, 40, 45 minutes? This was because we wanted to know how much music time the majority of people wanted to hear, so that we could work on filling the rest of the time with news and features. They also aimed at keeping the questions open ended so people did not just answer with yes or no answers (even though most did anyway), they wanted them to specifically tell us what music they listened to, and where and when and why they might choose a certain feature over another.

The outcome of the questioning was as follows:

On answering question 1, 71 people said that they listened to all, or some of the genres listed; and 2 of these said that they sometimes listened to the genres. This meant that 29 people said that they did not listen to the genres of music that were listed. Despite 29 people being a large number, in comparison to 71 people saying that they liked the music then I would choose to believe that the overall majority did like the listed genres of music.

Question 2 was for those who said that they did not like the genres of music in question 1. This was designed for us to find out why people did not like these types of music so to see if we could change that through the show. 48 of the 100 people asked either answered not sure, or just did not answer at all. A further 33 people gave various reasons as to why they did not like the music: some finding it boring or too loud and some just stating that they hate it. But 14 people just said that they specifically just liked other genres of music. The feedback from this was good as those who did not like the music, mainly did not like it because they were into other genres and not because they were just against the music. This furthers our purpose for doing this because the likes of Dubstep and drum and bass just isn’t as mainstream as other genres, but it does not mean that their following is not huge because it is.

Question 3 was asking people how old they are. Our original target audience was from 15 to 25 year olds, based on the radio 1 target audience. As we knew that there was no point in asking people of older generations, or younger; we purposely sought out those members of the public who looked to be within the ages of our target audiences. 48 out of the 100 wee between the ages of 14 and 19, and out of this number 38 of them listened to all or 1 or more of the listed genres. With just under half of the people asked being between 14 and 19, and the majority of those liked the music, and then we definitely are on the right track with the choices of music. The other 52 people asked did beween the ages of 20 and 30, with 31 of these also like the listed genres. From the evidence from question 1 being linked with that of question 3, then I believe that the target audience can remain the same along with the genres of music.

Question 4 wanted to know whether the people listened to the radio or not. 46 people said that they did listen to the radio, with the most common answer being radio1. However out of the 46 people who said yes, the majority of these were between the ages of 14 and 19, even though they got the majority by a mere 2 extra answers. 53 of the 100 said that they did not listen to the radio at all, with 1 person saying that they listened to it sometimes. Because 53 was the overall number of people, then that meant that more people did not listen to the radio than did, which would cause us a problem with creating the show; but the results from question 6 help us out there.

Question 5 asked what the most common time and place they listened to the radio was. 18 people listened to the radio at p.m. times, whilst 8 listened at both a.m. and p.m. times. 20 people listened to the radio at a.m. times, but when adding the majority number of 20 with the 8 who listened at morning and evening then you reach 28. This means that we would target our listeners at p.m. times. Also as the majority of people listened to the radio in the car, then we would aim it at coming home from work and college and university from 4 p.m. to 5 p.m.

Question 6 asked the public if they would listen to the radio if a station was created that played more non mainstream music. 33 of those who already listened to the radio said that they would listen to a station that played more non mainstream music, and again 33 of those who did not listen to the radio said that they would listen to a station if it played more non mainstream music. Out of those who did listen to the radio already, 14 of them said they would not listen to a non mainstream station, and 18 of those who did not listen to the radio said that they would not listen to a non mainstream station. From all of these answers, quite a good majority of the people said that they would listen to a station such as the one we plan to create, and therefore outweighs the fact that in question 4 more people did not listen to the radio than those who did.

In question 7 we wanted to find out what other features or sections of the show we could or should include keeping our listeners interested. The majority of people who answered this question said that they wanted to hear the news, with 46 people suggesting it. Followed by 20 people who said that they wanted to hear all the features listed. 13 people said they did not wish to hear any of the listed features in a show, but that was beaten by 10 people who answered games, 2 people who wanted games and quizzes. There were 6 people who wanted quizzes and 1 person who wanted both news and games. We will use all of this evidence to come up with ways to keep the audience interested and interactive with the show. Such as the live interview with a Dj, and the news that will be relevant to the age group and the announcement of the winner to the 'Dubstep bogeys game'.

In question 8 we wanted to know why they would add a certain feature and not any of the others. We did this to see if we could choose a feature that people did not choose much and make it better, and hopefully make it more appealing. A majority of 39 people did not answer this question, or just did not know why. Also 6 people felt that by adding features then they would take up valuable music time in a one hour show. 35 people were happy to hear the news as well as games and quizzes, whereas 11 people thought that the news was boring, and so were games and quizzes. By using this evidence I feel that we should use a news feature, but remain away from the usual games and quizzes that the radio uses. It may be more relevant and appealing to use music based interviews and have the only game feature be the announcing of the winner of the bogeys game.

We used question 9 to see how the public would feel about the amount of music being played on the show. We worried that in a one hour slot, we did not want to play too much music and leave too little time for anything else, or vice versa. Our answers suggested that 40 minutes was the best time with 39 people agreeing with this time length. In second place was 45 minutes with 31 people choosing this time period. The rest of the choices were not very popular with only 9 for 25 minutes and 18 for 35 minutes. We feel it would be best to stick to 40 minutes of music time so that we have enough time to cover all other aspects of the show. However as 45 minutes was a close runner up, we can select a song that may run over a couple of minutes, or play a song at the end of the show to close with; or more than likely let the Dj we plan to interview live play a short mix for us.

The final question we asked to the 100 people of the Bullring was whether they thought that if all the questions above were used to create a radio show with the genres of music being the ones listed above; then would they find the name Sub City an appropriate one. Thankfully out of the 100 people asked all of them answered yes so we can safely acknowledge that the name is acceptable to the public.

The Mojo Show Script V4 - Written By Daniel Watts


The Mojo Show
Ident Intro (  0.07 )
Soundbed duration ( dizz1 02:00 )
Greg: Hello and Welcome to the first ever mojo show on Vibes presented by myself Greg Martin, and joining me are Jack dargov.
Jack: Hello
Greg: and James D’Arcy
James: Hello
Greg: We’re going to be playing some of the best in acoustic, chill out music and live performance tracks from around the world.
James: We want to hear you’re thoughts on the tracks today and any requests, you can either let us know by texting, email us or chatting on our facebook.
Jack: here we go with the first track, a great party tune in an acoustic style by The King Blues, covering Dizzy rascal’s Bonkers.
Bonkers - The king blues  2:30 (fade out of track)
Greg: That was bonkers by The King Blues, an excellent tune to start off the show, 
Jack: We’re going to bring the tempo up now, with a brilliant track from Tinchy Stryder covering  – Sweet Dream / Beat Again by JLS. This track also feature Amelle Berrabah, with amazing vocals doing the track justices. I have to say this has to be my favourite track on the playlist today.
Jack: (  Thoughts on the track ….. improvised  debate )
Jack: Anyway I think its time you have a listen to this awesome track  - Pre Fade Track
James: Katy Perry and Newton Faulkner coming up later in the show so stay tuned.
Sweet Dreams/Beat Again 3.41  
Mini Ident ( Greg Ident  0:04 )
 SoundBeds Chillin x1 2:00
Greg: You’re listening to The Mojo show on Vibes the Time is __________, on Friday the _______
Jack:  I think its time for the next track,
Greg:  yeah, as promised earlier were playing Katy Perry performance of MGMT Electric Feel, personally I’m glad she’s preformed an acoustic version because it just shows how diverse of an artist and true talent she really is.
Debate about this track between everyone. 30’ seconds
James: Right then, let’s pay it. – Pre Fade Track
Jack: Any requests text in or email us, or you can chat to use on facebook.
Kate Perry – Electric Feel 3:29
Mini Ident ( Greg shorten 0:03 )
Soundbed  Dizz1 Here I Come 2:00
Read out Text, email, facebook status do any shout outs, (Make them Up if needed)
Greg: Explain what’s coming up in the show,
- Talk about Children in need
- Exclusive Track being played from up and coming artist (competition) , other presenter joins in conversation.
- Talk about the news coming up at half past.
Jack: Anyway here’s another one of my favourites, Newton Faulkner with Mama Do, one of the most soulful tracks, I’ve heard in a while.
Mama Do – Newton Faulkner 2:53
(ident Greg Mini 0:04)
Sex On Fire - Alesha Dixon 3.32  - Fade out of Song (Talk over)
Greg:  The last song you just heard was Sex On Fire - Alesha Dixon and now over to Lewis Butler with the News.
News Ident ( )
News show pre recorded – 3.30 – 4.00 mins duration
News Ident () + Mini ident ( Intro Ident 0:07)
Greg:  Greg announce the request tracks, Tracey Chapman – Fast Car!.
Jack: (Give his opinion on the song, little debate about the song between guest.)
James: Okay I think its time to play this track then – Pre Fade
Fast Car – 4.52 ( fade out of song  slow and talk over it)
Greg : Coming up at quarter to 1, Is our up and coming band performance’s live stay tuned to The Mojo Show.
Topic of the day, Talk about up and coming events acoustic performance Greg martin has all the information.
Talk about any gigs you’ve been to recently or live performances
Jack: Right now we have Since U Been Gone, being preformed acoustically by the extremely talented Kelly Clarkson, love this track, and I’m sure you will too.
Since U Been Gone – Kelly Clarkson 3:14 4.05 + You Know I'm No Good-Arctic Monkeys - 3.44
Mini Ident ( Greg Mini short 0:03) Soundbed Jazz 02:00
Greg: you just heard the Arctic Monkeys Covering, Amy Whinehouse song You know I’m No Good.
James: (Talk about how much you love the arctic monkeys so much)
Greg: Introduce the feature talk about it in a lot of detail Other Presenter shall join in.
Greg Mini Ident (0:04)
The Main Feature 10 mins
Intro Ident ( 0:07 ) + Soundbed Dizz1 02:00
James: Well that was the live performances we record so guys what were your thoughts on the track?
-       The Presenter Discuss between themselves
-       Tell people to vote in how they can vote what its for ect.
Greg: Well anyway, here are some more songs for listening pleasure another chilled out track from Stop Me – Mark Ronson
- Pre Fade Up 10’s
 Stop Me – Mark Ronson 3.57
Mini ident ( Greg Mini 0:04 )
Greg: You’ve been listening to The Mojo Show here on Stratcast, I think we’ve just about got time for one last track now, hope you’ve enjoyed the show and have a great weekend.
Jack: Don’t forget to vote on who you would like to win the out of the up and coming artist give them the chance perform live on children in need.
James: Yes and here our final song request by Paul on the text lines ask us to play Beautiful Day by U2 live. 
Beautiful Day by U2 5.04
Intro Ident 0:07

The Mojo Show Secondary Research

Secondary Research
I’ve decide to look at BBC radio 1 and live lounge website, as our playlist selection are very similar to the live lounge albums. Radio 1 always encourage popular artist from diverse genre music around the world to come preform a live set or cover.  Artist range from Eminem to Pixie Lott to Bliff Clyro. These are massive artist and have been topping the charts at some point in their career.




I found this on the rajar website, these are my results. As you can clearly see that radio 1 is dominating viewing figure over the rest of the market. These are positive results, because the artist and tracks being used in their playlist are very similar to our show.  
Here is one poll that’s states out of 52 people, 32 people said Yes, I love it. 
There is a lot of evidence on youtube and the Internet to indicate theres a growing audience, egger to listen to acoustic music and live music. http://www.bbc.co.uk/radio1/livelounge/
Radio 1 live lounge post their live recording onto youtube as part of its cross-media campaign which has turn out to be really effective resources. Just by searching – radio 1 live lounge 5 video show below, all the video from BBC radio 1 had 100,000 plus hits, some even went upto 1,700,000 +.



Also BBC have been releasing there live recording onto CD, this has been such a massive successes that CD’s is now on it 5th Volume soon to be released.


I've been looking around facebook I found some group pages based around our show and there was a lot of support this kind a music. Most pages had 50,000k Hits +.